Show all images on one page	#007544 Title: Icon Our Lady of Kazan Artist: Molodkina Anna Size: 17x21x3 Size (inches): 6.75x8.25x1.25 Price : $1100 SOLD!

This icon has been painted by a talented artist-Anna Molodkina, the wife of the youngest son Nikolay of famous Mstera Master Vladimir Molodkin.
On this icon Anna has painted an image of our Lady of Kazan.
Our Lady of Kazan, also called Theotokos of Kazan, was a holy icon of the highest stature within the Russian Orthodox Church, representing the Virgin Mary as the protector and patroness of the city of Kazan. It was considered a palladium of Russia for centuries, until its theft and likely destruction in 1904. Two major Kazan Cathedrals, in Moscow and St. Petersburg, are consecrated to Our Lady of Kazan, as are numerous churches throughout the land. Her feast days are July 21 and November 4 (which is also the Day of National Unity).
Ancient and venerated copies have been displayed at the Kazan Cathedral of Moscow, at Yaroslavl, and at St. Petersburg. Copies of the image are also venerated in the Catholic Church.
According to tradition, the icon was discovered on July 8, 1579, underground in the city of Kazan by a little girl, Matrona, to whom the location of the image was revealed by the Theotokos, the Blessed Virgin Mary, in a Marian apparition. The original icon was kept in the Theotokos Monastery of Kazan, built to commemorate the spot where it had been discovered.
Other churches were built in honor of the revelation of the Virgin of Kazan and copies of the image displayed at the Kazan Cathedral of Moscow, at Yaroslavl, and at Saint Petersburg.
Invocation of the Virgin Mary through the icon was credited by the Russian commanders, Dmitry Pozharsky and Mikhail Kutuzov, with helping the country to repel the Polish invasion of 1612, the Swedish invasion of 1709, and Napoleon's invasion of 1812.
On the night of June 29, 1904 the icon was stolen from the church in Kazan where it had been kept for centuries (the cathedral was later blown up by the communist authorities). Thieves apparently coveted the icon's gold frame, which was ornamented with many valuable jewels. Several years later, Russian police apprehended the thieves and recovered the frame. The thieves originally declared that the icon itself had been cut to pieces and burnt, although one of them eventually confessed that it was housed in a monastery in the wilds of Siberia. This one, however, was believed to be a fake; and the Russian police refused to investigate, using the logic that it would be very unlucky to venerate a fake icon as though it were authentic.The Orthodox Church interpreted the disappearance of the icon as a sign of tragedies that would plague Russia after the image of the Holy Protectress of Russia had been lost. Indeed, the Russian peasantry was wont to credit all the evils of Revolution of 1905, as well as Russia's defeat in the Russo-Japanese War, to the desecration of the image.
In 1993, the icon from Fátima was given to Pope John Paul II, who took it to the Vatican and had it installed in his study, where he venerated it for eleven years. In his own words, "it has found a home with me and has accompanied my daily service to the Church with its motherly gaze". John Paul II wished to visit Moscow or Kazan to personally return the icon to the Russian Orthodox Church. When these efforts were blocked by the Moscow Patriarchate, the icon was presented to the Russian Church unconditionally in August 2004. On August 26, 2004 it was exhibited for veneration on the altar of St. Peter's Basilica and then delivered to Moscow. On the next feast day of the holy icon, July 21, 2005, Patriarch Alexius II and Mintimer Shaymiev, the President of Tatarstan, placed it in the Annunciation Cathedral of the Kazan Kremlin.
This icon has been painted in the village of Mstera on the wooden base. According to the tradition of Russian icon painting, the work is painted in egg tempera paints and detailed with brilliant gold paint. The leaves of gold is also used to create a frame around the depicted icon.
Very often Palekh, Mstera and Kholui artists paint icons, and this decision isn't influenced by a fashion or a public demand. It is a century-old tradition. The schools of Palekh, Kholui, and Mstera appeared under the influence of icon painting.